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Imagining Ancient Cities In Film



This book is a critical survey of how, and why, modern cultures represent the ancient world in the ways that they do. The book covers a century and more of film and television. more details
Key Features:
  • A critical survey of how, and why, modern cultures represent the ancient world in the ways that they do
  • Covers a century and more of film and television
  • Provides an in-depth analysis of how different cultural representations of the ancient world have shaped the way that we think about the past


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Description
This book is a critical survey of how, and why, modern cultures represent the ancient world in the ways that they do. The book covers a century and more of film and television.

In film imagery, urban spaces show up not only as spatial settings of a story, but also as projected ideas and forms that aim to recreate and capture the spirit of cultures, societies and epochs. Some cinematic cities have even managed to transcend fiction to become part of modern collective memory. Can we imagine a futuristic city not inspired at least remotely by Fritz Lang's Metropolis? In the same way, ancient Babylon, Troy and Rome can hardly be shaped in popular imagination without conscious or subconscious references to the striking visions of Griffiths' Intolerance, Petersen's Troy and Scott's Gladiator, to mention only a few influential examples. Imagining Ancient Cities in Film explores for the first time in scholarship film representations of cities of the Ancient World from early cinema to the 21st century. The volume analyzes the different choices made by filmmakers, art designers and screen writers to recreate ancient urban spaces as more or less convincing settings of mythical and historical events. In looking behind and beyond intended archaeological accuracy, symbolic fantasy, primitivism, exoticism and Hollywood-esque monumentality, this volume pays particular attention to the depiction of cities as faces of ancient civilizations, but also as containers of moral ideas and cultural fashions deeply rooted in the contemporary zeitgeist and in continuously revisited traditions. Review: Charting a century and more of film and television, this adventurous and timely critical survey will be an invaluable companion for anyone interested in how, and why, modern cultures represent the ancient world in the ways that they do. - Gideon Nisbet, University of Birmingham, UK
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