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Pilgrimage And Narrative In The French Renaissance ' The Undiscovered Country '



This book is about the place and meaning of pilgrimage in European Renaissance culture. It makes new material available and also provides fresh perspectives on canonical writers such as Rabelais, Montaigne, Margurite de Navarre, Erasmus, Petrarch, Augustine, and Gregory of Nyssa. Wes Williams undertakes a bold exploration of various interlinking themes in Renaissance pilgrimage: the location, repr... more details
Key Features:
  • Provides a fresh perspective on canonical writers such as Rabelais, Montaigne, Margurite de Navarre, Erasmus, Petrarch, Augustine, and Gregory of Nyssa
  • Examines the literary formation of the subjective narrative voice in his texts, and its relationship to the rituals and practices he reviews
  • Aimed both to gain a sense of the shapes of pilgrim experience in the Renaissance and to question the ways in which recent theoretical and historical research in the area has determined the differences between fictional worlds and the real


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Manufacturer USA Oxford University Press
Description
This book is about the place and meaning of pilgrimage in European Renaissance culture. It makes new material available and also provides fresh perspectives on canonical writers such as Rabelais, Montaigne, Margurite de Navarre, Erasmus, Petrarch, Augustine, and Gregory of Nyssa. Wes Williams undertakes a bold exploration of various interlinking themes in Renaissance pilgrimage: the location, representation, and politics of the sacred, together with the experience of the everyday, the extraordinary, the religious, and the represented. Williams also examines the literary formation of the subjective narrative voice in his texts, and its relationship to the rituals and practices he reviews. This wide-ranging and timely new work aims both to gain a sense of the shapes of pilgrim experience in the Renaissance and to question the ways in which recent theoretical and historical research in the area has determined the differences between fictional worlds and the real.

This is the first full-length study of the place and meaning of pilgrimage in European Renaissance culture. It makes new material available and also provides fresh perspectives on canonical writers such as Rabelais, Montaigne, Margurite de Navarre, Erasmus, Petrarch, Augustine, and Gregory of Nyssa. Wes Williams undertakes a bold exploration of various interlinking themes in Renaissance pilgrimage: the location, representation, and politics of the sacred, together with the experience of the everyday, the extraordinary, the religious, and the represented. Williams also examines the literary formation of the subjective narrative voice in his texts, and its relationship to the rituals and practices he reviews. This wide-ranging and timely new work aims both to gain a sense of the shapes of pilgrim experience in the Renaissance and to question the ways in which recent theoretical and historical research in the area has determined the differences between fictional worlds and the real. Review: Insightful and extended study ... wide-ranging and subtle study of the rhetorical dimensions of pligrimage ... admirably erudite ... positively original. Journeys: The International Journal of Travel and Travel Writing
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