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European Civil War Films



This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. It discusses how contemporary debates in cultural memory play into the way these films present the past, and how the films often grapple with the aftermath of the collapse of the Soviet bloc in 1989. more details
Key Features:
  • examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war
  • discusses how contemporary debates in cultural memory play into the way these films present the past, and how the films often grapple with the aftermath of the collapse of the Soviet bloc in 1989
  • provides a comprehensive overview of the key films and filmmakers involved in this movement


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Description
This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. It discusses how contemporary debates in cultural memory play into the way these films present the past, and how the films often grapple with the aftermath of the collapse of the Soviet bloc in 1989.

This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fashion. These cinematic discourses articulate contemporary concerns, especially the loss of ideology and a utopian political horizon in the aftermath of the collapse of the Soviet bloc in 1989, a date that marks a significant break in European history and an accompanying paradigm shift in European cultural memory. Filmmakers examined include Trueba, Cuerda, Loach, Jordan, Kusturica, Dragojevic, and Angelopoulos. Review: '...it is... an important contribution to the debate on memory, conflict, and nostalgia in the context of European war films. Making these rich and complex cinematic accomplishments accessible to a wider audience, Kosmidou's work provides a valuable source of information for further exploration of the subject.' Agustin Rico-Albero, Council for European Studies
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