Description
The book is about the science of investigating copies, fakes, and forgeries of art and antiquities. It is written by a specialist from the Department of Scientific Research at the British Museum, and is timely as the market for antiquities has become increasingly lucrative, and there is an increase in the number of copies, fakes, and forgeries of art and antiquities. The book is aimed at those who have a serious interest in the subject, including conservators, collectors, and scientists.
The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist. * The only scientific treatise on the subject * Timely with the rise in value of antiquities and the lucrative business of faking * Written by a specialist from the Department of Scientific Research at the British Museum
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