MASSIVE SAVINGS JUST FOR YOU!
VIEW DEALS

Theatre And The World



This work is a critique of the theatrical visions of some of the twentieth century's most prominent theater practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. It contends that Indian theater has been grossly mythologised and taken out of context by Western directors and critics, and presents a detailed dramaturgical analysis of what it describes as an intracu... more details
Key Features:
  • A critique of the theatrical visions of some of the twentieth century's most prominent theater practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook
  • Presents a detailed dramaturgical analysis of what it describes as an intracultural theater project, providing an alternative vision of the possibilities of true cultural pluralism
  • Provides a critical examination of the ways in which Indian theater has been mythologised and taken out of context by Western directors and critics


R3 837.00 from Loot.co.za

price history Price history

   BP = Best Price   HP = Highest Price

Current Price: R3 837.00

loading...

tagged products icon   Similarly Tagged Products

Description
This work is a critique of the theatrical visions of some of the twentieth century's most prominent theater practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. It contends that Indian theater has been grossly mythologised and taken out of context by Western directors and critics, and presents a detailed dramaturgical analysis of what it describes as an intracultural theater project, providing an alternative vision of the possibilities of true cultural pluralism.

In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective. Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism. Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.
This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.