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The New Shakespeare is a series of editions of Shakespeare's plays and poems that were published between 1921 and 1966. The series is now being reissued, and each work is available both individually and as a set. The edition includes a lengthy and lively introduction, main text, and substantial notes and glossary. The New Shakespeare was developed by Dover Wilson and a small group of editors, and ... more details
Key Features:
  • New edition of Shakespeare's plays and poems
  • Lively introduction by Dover Wilson
  • Main text and substantial notes and glossary


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Description
The New Shakespeare is a series of editions of Shakespeare's plays and poems that were published between 1921 and 1966. The series is now being reissued, and each work is available both individually and as a set. The edition includes a lengthy and lively introduction, main text, and substantial notes and glossary. The New Shakespeare was developed by Dover Wilson and a small group of editors, and it took the best part of half a century to produce. By today's standards, the New Shakespeare is relatively small in scope. However, many of Dover Wilson's textual methods have become an established part of editorial practice.

John Dover Wilson's New Shakespeare, published between 1921 and 1966, became the classic Cambridge edition of Shakespeare's plays and poems until the 1980s. The series, long since out-of-print, is now reissued. Each work is available both individually and as a set, and each contains a lengthy and lively introduction, main text, and substantial notes and glossary printed at the back. The edition, which began with The Tempest and ended with The Sonnets, put into practice the techniques and theories that had evolved under the 'New Bibliography'. Remarkably by today's standards, although it took the best part of half a century to produce, the New Shakespeare involved only a small band of editors besides Dover Wilson himself. As the volumes took shape, many of Dover Wilson's textual methods acquired general acceptance and became an established part of later editorial practice, for example in the Arden and New Cambridge Shakespeares.

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