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Generalized Musical Intervals and Transformations



Generalized Musical Intervals and Transformations is a seminal work in music theory that pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying and inter-relating chords and sets. The book is widely recognized as the foundation for the "transformational theory" movement. This Oxford University Press edition features a previously unpublished p... more details
Key Features:
  • Provides a comprehensive treatment of generalized intervals and transformations
  • Influences the "transformational theory" movement
  • Provides a new perspective on the study of pitch-structure


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Features
Author David Lewin
Format Hardcover
ISBN 9780195317138
Publisher Oxford University Press, Usa
Manufacturer Oxford University Press, Usa
Description
Generalized Musical Intervals and Transformations is a seminal work in music theory that pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying and inter-relating chords and sets. The book is widely recognized as the foundation for the "transformational theory" movement. This Oxford University Press edition features a previously unpublished preface by David Lewin and a foreword by Edward Gollin contextualizing the work's significance for the current field of music theory.

David Lewin's Generalized Musical Intervals and Transformations is recognized as the seminal work paving the way for current studies in mathematical and systematic approaches to music analysis. Lewin, one of the 20th century's most prominent figures in music theory, pushes the boundaries of the study of pitch-structure beyond its conception as a static system for classifying and inter-relating chords and sets. Known by most music theorists as "GMIT", the book is by far the most significant contribution to the field of systematic music theory in the last half-century, generating the framework for the "transformational theory" movement. Appearing almost twenty years after GMIT's initial publication, this Oxford University Press edition features a previously unpublished preface by David Lewin, as well as a foreword by Edward Gollin contextualizing the work's significance for the current field of music theory.
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