Description
Herg is the creator of Tintin, a comic book character that has been translated into dozens of languages and has sold millions of copies. Heg was born in Brussels in 1907 and began his career as a cub reporter. Tintin, the character he created, is an adventurer who is "fully formed, clear-headed, and positive." However, Herg was "complex, contradictory, inscrutable." For all his huge success, Herg would say unassumingly of his art, "I was just happy drawing little guys, that's all." Herg's life and art are explored in this biography, which provides a detailed look at his career and the ways in which his work and life intersected.
One of the most beloved characters in all of comics, Tintin won an enormous international following. Translated into dozens of languages, Tintin's adventures have sold millions of copies, and Steven Spielberg is presently adapting the stories for the big screen. Yet, despite Tintin's enduring popularity, Americans know almost nothing about his gifted creator, Georges Remi--better known as Herg. Offering a captivating portrait of a man who revolutionized the art of comics, this is the first full biography of Herg available for an English-speaking audience. Born in Brussels in 1907, Herg began his career as a cub reporter, a profession he gave to his teenaged, world-traveling hero. But whereas Tintin was "fully formed, clear-headed, and positive," Assouline notes, his inventor was "complex, contradictory, inscrutable." For all his huge success--achieved with almost no formal training--Herg would say unassumingly of his art, "I was just happy drawing little guys, that's all." Granted unprecedented access to thousands of the cartoonist's unpublished letters, Assouline gets behind the genial public mask to take full measure of Herg's life and art and the fascinating ways in which the two intertwine. Neither sugarcoating nor sensationalizing his subject, he meticulously probes such controversial issues as Herg's support for Belgian imperialism in the Congo and his alleged collaboration with the Nazis. He also analyzes the underpinnings of Tintin--how the conception of the character as an asexual adventurer reflected Herg's appreciation for the Boy Scouts organization as well as his Catholic mentor's anti-Soviet ideology--and relates the comic strip to Herg's own place within the Belgian middle class. A profound influence on a generation of artists such as Andy Warhol and Roy Lichtenstein, the elusive figure of Herg comes to life in this illuminating biography--a deeply nuanced account that unveils the man and his career as never before.