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A New Dictionary of Music



This is a dictionary of music that includes information on composers, works, orchestras, performers, and conductors. It is a comprehensive reference work and is updated to reflect new musical developments. more details
Key Features:
  • Comprehensive reference work on music
  • Updated to reflect new musical developments


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Features
Author Arthur Jacobs
Format Paperback
ISBN 9780202361932
Publisher Aldine Transaction
Manufacturer Aldine Transaction
Description
This is a dictionary of music that includes information on composers, works, orchestras, performers, and conductors. It is a comprehensive reference work and is updated to reflect new musical developments.

What is a fugue? What is the difference between a saxophone and a saxhorn? Who besides Puccini wrote an opera called La Boheme? In what year was the National Broadcasting Company Orchestra formed under Arturo Toscaninis direction? These and thousands of similar questions are answered in this comprehensive dictionary that remains unrivaled as a single-volume summary. A New Dictionary of Music is a basic reference work for anyone interested in music, whether performer or layman. It covers orchestral, solo, choral, and chamber music, opera, and (in its musical aspects) the ballet. There are entries for composers (with biographies and details of compositions); works well known by their titles, such as operas and symphonic poems; orchestras, performers and conductors of importance today; musical instruments (including those of the dance and brass bands); and technical terms. English names and terms are used whenever possible, but foreign terms in general use are cross-referenced. Particular importance has been attached to bringing the reader abreast of new musical developments. The composers and musical works chosen were those most likely to be encountered. Where an opera is given an entry, a brief explanation of the title follows. Similarly explication is provided for other works bearing literary or otherwise allusive titles. Among performers and conductors, only the following are included: those who, although dead, continue to be prominent through recorded performances (e.g., Gigli); the highest-ranking international artists of today, plus a very few apparently on the verge of attaining that rank; a few who, though not necessarily at the very head of their profession, are closely associated with composers in bringing out new works, or are conductors in charge of important orchestras.
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