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Small Acts of Repair: Performance, Ecology and Goat Island



This book is about Goat Island, a performance ensemble that uses a unique hybrid of strategies and techniques from live art, experimental theater, and postmodern dance. The book discusses the company's work and how it has been received by critics. It also includes practical exercises and thoughts on teaching. more details
Key Features:
  • Provides an in-depth look at Goat Island's work and how it has been received
  • Includes practical exercises and thoughts on teaching
  • Provides an overview of the company's history and key players


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Features
Author Goulish/Bottoms
Format Trade paperback
ISBN 9780415365154
Publisher Routledge
Manufacturer Routledge
Description
This book is about Goat Island, a performance ensemble that uses a unique hybrid of strategies and techniques from live art, experimental theater, and postmodern dance. The book discusses the company's work and how it has been received by critics. It also includes practical exercises and thoughts on teaching.

Goat Island are one of the world's leading contemporary performance ensembles. Their intimate, low-tech, intensely physical performances represent a unique hybrid of strategies and techniques drawn from live art, experimental theatre and postmodern dance. Small Acts of Repair: Performance, Ecology and Goat Island, is the first book to document and critique the company's performances, processes, politics, aesthetics, and philosophies. It reflects on the company's work through the critical lens of ecology- an emerging and urgent concern in performance studies and elsewhere. This collage text combines and juxtaposes writing by company members and arts commentators, to look in detail at Goat Island's distinctive collaborative processes and the reception of their work in performance. The book includes a section of practical workshop exercises and thoughts on teaching drawn from the company's extensive experience, providing an invaluable classroom resource. By documenting the creative processes of this extraordinary company, this book will make an important contribution to the critical debates surrounding contemporary performance practices. In so doing, it pays compelling tribute to committed art-making, creativity, collaboration, and the nature of the possible.
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