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The Work of Fiction: Cognition, Culture, and Complexity



This essay discusses the work of eight leading critics who have combined cultural and cognitive analysis to explore the work of fiction. They discuss how the work of fiction can be used to explore universal cognitive processes and the local contexts in which texts are produced. more details
Key Features:
  • 8 critics discussing the work of fiction and how it can be used to explore universal cognitive processes and the local contexts in which texts are produced
  • Detailed analysis of how the work of fiction can be used to explore universal cognitive processes and the local contexts in which texts are produced


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Features
ISBN 9780754638490
Publisher Ashgate Publishing
Manufacturer Ashgate Publishing
Description
This essay discusses the work of eight leading critics who have combined cultural and cognitive analysis to explore the work of fiction. They discuss how the work of fiction can be used to explore universal cognitive processes and the local contexts in which texts are produced.

The essays gathered here demonstrate and justify the excitement and promise of cognitive historicism, providing a lively introduction to this new and quickly growing area of literary studies. Written by eight leading critics whose work has done much to establish the new field, they display the results of a largely unprecedented combination of cultural and cognitive analysis. The authors explore both narrative and dramatic genres, uncovering the tensions among presumably universal cognitive processes, and the local contexts within which complex literary texts are produced. Alan Richardson's opening essay evaluates current approaches to the study of literature and cognition, locating them on the map of recent literary studies, indicating their most compelling developments to date, and suggesting the most promising future directions. The seven essays that follow provide innovative readings of topics ranging from Shakespeare (Othello, Macbeth, Cymbeline, The Rape of Lucrece) through Samuel Richardson's Clarissa, to contemporary authors Ian McEwan and Gilbert Sorrentino. They underscore some of the limitations of new historicist and post-structuralist approaches to literary cultural studies while affirming the value of supplementing rather than supplanting them with insights and methods drawn from cognitive and evolutionary theory. Together, they demonstrate the analytical power of considering these texts in the context of recent studies of cultural universals, 'theory of mind,' cognitive categorization and genre, and neural-materialist theories of language and consciousness. This groundbreaking collection holds appeal for a broad audience, including students and teachers of literary theory, literary history, cultural studies, and literature and science studies.
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