Description
The author interviews surviving members of Soviet orchestras and reads philosophers, psychoanalysts, and neurologists to paint a compelling picture of one man's music and its power to validate and sustain another man's life.
Through interviews conducted with surviving members of Soviet orchestras, through his reading of philosophers, psychoanalysts, and neurologists, Johnson paints a compelling picture of one man's music and its power to validate and sustain another man's life.
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