Description
This book is a dictionary of terms used in nineteenth century art. It provides a context for copious contemporary quotations from those with direct experience of the creative process. The book avoids the hackneyed definition of major movements and artists groups, and instead discusses these through a rich diversity of attitudes to each keyword: those, for example, of the Romantic, Barbizon and Symbolist artists and their publics to issues such as exhibitions, landscape, drawing and the pervasive influence of the antique. The quotations are drawn from a wide range of sources. Chosen to exemplify particular historical, geographical, socio-political and aesthetic tendencies, these provide familiar pivotal figures to help guide the reader through a highly populated and fastchanging art world. The emphasis is on French and, to a lesser degree, British art but a range of European and North American art is also discussed.
A fresh approach to the study of the theory and practice of the nineteenth-century s fine art. Fifty key art terms provide a context for copious contemporary quotations from those with direct experience of the creative process: artists, critics, writers and thinkers. The book thus avoids the hackneyed definition of major movements and artists groups, and instead discusses these through a rich diversity of attitudes to each keyword: those, for example, of the Romantic, Barbizon and Symbolist artists and their publics to issues such as exhibitions, landscape, drawing and the pervasive influence of the antique. The quotations are drawn from a wide range of sources. Chosen to exemplify particular historical, geographical, socio-political and aesthetic tendencies, these provide familiar pivotal figures to help guide the reader through a highly populated and fastchanging art world. The emphasis is on French and, to a lesser degree, British art but a range of European and North American art is also discu
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