Description
This essay provides a critical overview of two decades of research into the television audience. The development of ethnographic research methods has led to researchers turning their critical attention to groups of "ordinary people" watching television. In a comprehensive analysis of the origins and achievements of the "cultural studies audience experiment", Virginia Nightingale evaluates five projects which helped to shape the field of television audience research. These include Charlotte Brunsdon and David Morely's work on "Nationwide", Ien Ang's "Watching Dallas", David Buckingham's study of "Eastenders" and its audience, and Nightingale's own work on "The Shock of the Real". Nightingale traces how central tenets within audience studies were challenged by discourses of post-colonialism, fan activism and new theories of writing. She argues that audience research is necessarily a complex activity, and that the field is still evolving.
Studying Audiences; The Shock of the Real provides a critical overview of two decades of research into the television audience. With the development of ethnographic research methods, hailed by Stuart Hall as "a new and exciting phase" in audience research, researchers turned their critical attention to groups of "ordinary people" watching television, combining interviews and participant observations with textual analysis of television programs. In a comprehensive analysis of the origins and achievements of the "cultural studies audience experiment", Virginia Nightingale evaluates five projects which helped to shape the field of television audience research, including Charlotte Brunsdon and David Morely's work on
Nationwide, Ien Ang's
Watching Dallas and David Buckingham's study of
Eastenders and its audience. Nightingale traces how central tenets within audience studies were challenged by discourses of post-colonialism, fan activism and new theories of writing, arguing that audience research is necessarily a complex activity.
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