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The Romance of the Holy Land in American Travel Writing



This book is about the influence of the Barbary captivity narrative on nineteenth century travel writing about the Middle East. It discusses how American travel writing about the Holy Land forms a coherent tradition, and how works by major writers such as Twain and Melville are important to understanding it. It also examines works by lesser-known authors, and shows how their travel writing is infl... more details
Key Features:
  • Examines how nineteenth century travel writing about the Middle East forms a coherent tradition
  • Shows how works by major writers such as Twain and Melville are important to understanding it
  • Examines works by lesser-known authors, and shows how their travel writing is influenced by the Barbary captivity narrative


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Features
Author Brian Yothers
ISBN 9780754654926
Publisher Scolar Pr
Manufacturer Scolar Pr
Description
This book is about the influence of the Barbary captivity narrative on nineteenth century travel writing about the Middle East. It discusses how American travel writing about the Holy Land forms a coherent tradition, and how works by major writers such as Twain and Melville are important to understanding it. It also examines works by lesser-known authors, and shows how their travel writing is influenced by the Barbary captivity narrative.

This book is the first to engage with the full range of American travel writing about nineteenth-century Ottoman Palestine, and the first to acknowledge the influence of the late-eighteenth-century Barbary captivity narrative on nineteenth-century travel writing about the Middle East. Brian Yothers argues that American travel writing about the Holy Land forms a coherent, if greatly varied, tradition, which can only be fully understood when works by major writers such as Twain and Melville are studied alongside missionary accounts, captivity narratives, chronicles of religious pilgrimages, and travel writing in the genteel tradition.Yothers also examines works by lesser-known authors such as Bayard Taylor, John Lloyd Stephens, and Clorinda Minor, demonstrating that American travel writing is marked by a profound intertextuality with the Hebrew and Christian scriptures and with British and continental travel narratives about the Holy Land. His concluding chapter on Melville's Clarel shows how Melville's poem provides an incisive critique of the nascent imperial discourse discernible in the American texts with which it is in dialogue.
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