Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Eric Chafe illustrates how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory. more details
Concentrating on a small number of representative cantatas, mostly from the Leipzig cycles of 1723-24 and 1724-25, and in particular on Cantata 77, Eric Chafe illustrates how Bach strove to mirror both the dogma and the mystery of religious experience in musical allegory.
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