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Comic Angels: And Other Approaches to Greek Drama through Vase-Paintings Clarendon Paperbacks



The book "Comic Angels: And Other Approaches to Greek Drama through Vase-Paintings" by Clarendon Paperbacks is a bold new thesis which opens up a new chapter in the study of Greek drama and vase painting. Taplin provokes questions concerning the relation of tragedy as well as comedy to vase-painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of... more details
Key Features:
  • Provides a new perspective on Greek drama and vase painting
  • Examines the relationship between tragedy and comedy in vase painting
  • Provides new insights into Aristophanic comedy


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Features
Author Oliver Taplin
Format Paperback
ISBN 9780198150008
Publication Date 06/10/1994
Publisher Clarendon Press
Description
The book "Comic Angels: And Other Approaches to Greek Drama through Vase-Paintings" by Clarendon Paperbacks is a bold new thesis which opens up a new chapter in the study of Greek drama and vase painting. Taplin provokes questions concerning the relation of tragedy as well as comedy to vase-painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of drama as a potential `export'. It also enriches appreciation of many key aspects of Aristophanic comedy: its metatheatre and self-reference, its use of stage-action and stage-props, its unabashed indecency, and its polarised relationship, even rivalry, with tragedy. The book has assembled thirty-six photographs of vase-paintings. Many are printed here for the first time outside specialist publications that are not readily accessible.

BL A bold new thesis which opens up a new chapter in the study of Greek drama and vase painting Taplin provokes questions concerning the relation of tragedy as well as comedy to vase-painting, the cultural climate of the Greek cities in Italy, and the extent to which Athenians were aware of drama as a potential `export'. It also enriches appreciation of many key aspects of Aristophanic comedy: its metatheatre and self-reference, its use of stage-action and stage-props, its unabashed indecency, and its polarised relationship, even rivalry, with tragedy. The book has assembled thirty-six photographs of vase-paintings. Many are printed here for the first time outside specialist publications that are not readily accessible.
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