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Rapacious dykes, self-loathing closet cases, hustlers, ambiguous sophisticates, and sadomasochistic rich kids: most of what America thought it knew about gay people it learned at the movies. A fresh and revelatory look
In these sparkling exchanges with seven leading figures from the world of dance, Janet Lynn Roseman gets to the heart of her subject: how a dancer or choreographer envisions creation and performance,
Vaudeville, Old & New: an Encyclopedia of Variety Performers in America by Frank Cullen, Florence Hackman and Donald McNeilly Routledge Press, September 2006, ISBN: 0415938538 Two volume set, 1274 pages (1500 entries)
How do you pronounce zounds, Milan, housewife and hundreds of other words in Shakespeare's plays? In this ingenious book, Dale Coye has provided a guide to each significant word, line-by line, scene-by-scene,
Over the past 16 years, new theories and models have emerged in the stress and anxiety knowledge base regarding the unique forms associated with performance. Existing theories have been applied in creative
Designed for students, scholars and general readers with an interest in dance and queer history, A Queer History of the Ballet focuses on how, as makers and as audiences, queer men and
Historical film has been an important genre the earliest silents. Lincoln, Jesus, the French Revolution, World War II - all have been repeatedly "represented" in film. But how does film represent the
Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that
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Profusely illustrated step-by-step guide enables you to rebind books, paperbacks, periodicals, more. Book sewing of all types (antique, flexible, lockstitch, whipstitch, etc.); how to make endpapers, attach headbands, case in, cover with
Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. Simon Williams explores the reasons for this adulation and antipathy by analyzing heroism in Wagner's
This seminal study of Giuseppe Verdi's German-language reception provides important new perspectives on German musical culture and nationalism from the mid-nineteenth century onwards. Kreuzer argues that the concept of Germany's musical supremacy,
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