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This pioneering study examines the extraordinary proliferation of polyphonic or "multi-voiced" texts in the three centuries following the first contact between Europeans and indigenous peoples of the Americas. These plays, printed dialogues,
This is the first English translation of Michael Chekhov's two-volume autobiography, combining The Path of the Actor (1927) and extensive extracts from his later volume Life and Encounters. Full of illuminating
Goat Island are one of the world's leading contemporary performance ensembles. Their intimate, low-tech, intensely physical performances represent a unique hybrid of strategies and techniques drawn from live art, experimental theatre and
Yes? No! Maybe... is a book about performing and watching dance. Using a unique combination of historical, academic and autobiographical voices, it covers fifty years of British dance, from Margot Fonteyn in
Ten films released between 9/11 and Gulf War II reflect raging debates about US foreign policy and what it means to be an American. Tracing the portrayal of America in the
Ten films released between 9/11 and Gulf War II reflect raging debates about US foreign policy and what it means to be an American. Tracing the portrayal of America in the
Screening World Cinema brings together a selection of key articles on world cinema published over the past two decades in the internationally renowned journal Screen. This new collection allows readers to cross-reference
Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an
This highly accessible introduction to translation theory, written by a leading author in the field, uses the genre of film to bring the main themes in translation to life. Through analyzing films
David Zinder's Body Voice Imagination is written by one of the master teachers of the Michael Chekhov technique of acting training. This book is a comprehensive course of exercises devoted to the
Dance occupies a prestigious place in Indian performing arts, yet it curiously, to a large extent, has remained outside the arena of academic discourse. This book documents and celebrates the emergence of
Drawing on first-hand materials collected from the Chinese and Japanese literature as well as interviews with more than twenty filmmakers and scholars Kinnia Shuk-ting Yau provides a solid historical account of the
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