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A solid cylinder of graphite wrapped in the thinnest lacquer coating, the Monolith Graphite Pencil thrills artists with its ability to create broad and fine strokes with a single pencil.
This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe
PW 6 Titanium Dioxide. PW4 Zinc Oxide. Very slow Dryer, Very Opaque, Excellent Lightfastness, High Tint Power, Non-toxic. Safflower oil dries to a robust film, which means that this paint can be
Pigment: Cadmiumzinc-sulphide, CadmiumsulphoselenideLightfastness: ****Opacity: OpaqueDescription: Brilliant cadmium yellow tone with opacifying character.Colour Index: PY35/PO20To achieve the outstanding characteristics, like reusable paint when dried on a palette and the high control of paint
Horadam Gouache offers excellent flow properties. The range of 48 finest gouache colours may be diluted with water and can also be mixed within the range. After drying it can be wetted
Uni Posca water-based pigment markers produce opaque, vibrant color and will on write on virtually any surface: paper, cardboard, tracing paper, rock, clay, cement, plastic, metal, wood, fabric, glass, canvas and more. These markers are
These durable and attractive brushes are perfect for hobby or school painting, and offer surprising value for money. • Excellent colour absorbing capacity • Very elastic grey synthetic fibres • Seamless
Colour: Sap Green Pigment Index: PG7 PY73 PR101 Colour Lightfastness: Good Colour Transparency: Semi-Opaque Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across all
Colour: Flesh Tint Pigment Index: PW4 PR101 PY42 PW6 Colour Lightfastness: Good Colour Transparency: Opaque Traditionally crafted and triple-milled in England, Georgian Oil Colours provide colour consistency from wet to dry and an even performance and finish across
Professional quality colour with great value for money for beginners and users of large quantitiesWide colour range of 62 shadesUse of high-qulaity artists' pigmentsHigh colour intensity, brilliance and light-fastnessHigh elasticity, tensile strength
In 1985, following extensive research, Old Holland presented a revolutionary range of 168 oil paints, each with the highest degree of lightfastness. Traditional, non-lightfast pigments were replaced with modern lightfast pigments with
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments
Arteco is a medium grain drawing surface providing ideal tooth for work with graphite, coloured pencils and charcoal. Arteco cartridge paper has been developed on a budget basis to cater for both
The Sennelier oil pastel is a product that makes use of the components used in all Sennelier colours: top quality pigments, an extremely pure synthetic binding medium and mineral wax. The pigments
Raw SiennaPBr 7. Very Fast Drying. Semi-Opaque. Excellent Lightfastness. Average Oil Content.Used as a ground tone and for underpainting since the 17th century, this is one of the indispensable Earth Iron Oxides.
Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine,
Uni Posca water-based pigment markers produce opaque, vibrant color and will on write on virtually any surface: paper, cardboard, tracing paper, rock, clay, cement, plastic, metal, wood, fabric, glass, canvas and more. These markers are
Duo has taken all the handling qualities and the buttery feel of Holbein Artist Oil Colour and made it safer and easier to use. Duo eliminates the odour of solvents in the
Permanency: Moderately Durable ColourA European style transparent watercolour, Holbein watercolour also preserves the brush handling qualities inherent in traditional Japanese watercolour techniques. Without ox-gall or other dispersing agents, Holbein watercolour moves slowly,
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