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Radiant VioletPigment: Dioxazine Purple, Titanium dioxide, (PV 23, PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, OPAQUEpdf=Gamblin Artists Oil Radiants Data Sheet.pdf Gamblin Artists Oil Radiants Data Sheet
Indanthrone Blue: An excellent, all-purpose blue with a beautiful, smoky glaze.Pigment: Indanthrone (PB60) Vehicle: Alkali refined linseed oil Lightfastness I, Series 3, SEMI-TRANSPARENTpdf=Gamblin Artists Oil Indanthrone Blue Data Sheet.pdf Gamblin Artists
Quinacridone Magenta: Coolest quin red. Makes high key tints and in mixtures makes beautiful transparent violets.Pigment: Quinacridone Y (PR 122)Vehicle: Alkali refined linseed oilLightfastness I, Series 3, TRANSPARENT, MSDSpdf=Gamblin Artists Oil Quinacridones
Quinacridone Red: Cool lightfast modern red with high key tint. Useful in place of Alizarin Crimson where more intense masstone and mixtures are desired.Pigment: Quinacridone red b (PV19)Vehicle: Alkali refined linseed oilLightfastness
Ultramarine Violet: Mineral colour that greys into the colours of the natural world. Warmer than Cobalt Violet, cooler than Manganese Violet and more transparent than either, Ultramarine Violet is one of many
Alizarin Crimson: Cool, slightly bluish red with smoky glaze. 19th century lake colour made by the fusing a dye on to a substrate. Only Alizarin Crimson is still commonly used by painters
True blue, first manufactured in 1804. This colour is well worth the price because of its working properties and unique colour, which cannot be mixed.Pigment: Oxides of cobalt & aluminum (PB 28)Vehicle:
Venetian Red: (formerly called Iron Red Light) Also a Mars Colour, Venetian Red is lighter, more of a brick red. Dense, with great hiding power.Pigment: Synthetic red iron oxide (yellowish shade) (PR
Indian Yellow: This color has been prized for hundreds of years. But only now has the color been made with a completely lightfast pigment.Pigment: Diarylide yellow HR70 (PY83)Vehicle: Alkali refined linseed oilLightfastness
Cobalt Violet: Deep violet that is cool in its masstone (and less red than Manganese Violet), Cobalt Violet is a pure hue that cannot be mixed from other colours. Although very muted
Transparent Orange: Our best-selling orange, this is Wolf Kahn's signature color. Noted for its transparency and warm red undertone, it can be used as a completely transparent glazing color. Painters can create
Prussian Blue: First synthetic colour of the Industrial Revolution, discovered by accident in 1704 while a chemist was trying to formulate artificial crimson. Cool blue with more muted tint than Phthalo Blue.
Napthol Red: Modern organic warm red that closely matches Cadmium Red Medium in masstone. Makes more intense tints, more transparent. Excellent for high key painting.Pigment: Napthol AS-D (PR112)Vehicle: Alkali refined linseed oilLightfastness
Titanium Buff: A light, yellow-grey made from a compound of titanium dioxide and iron oxide. This popular colour is valuable in figurative and landscape painting.Pigment: Titanium dioxide (PW 6)Vehicle: Alkali refined linseed
Indian Red: Originally a natural, more purple iron oxide imported from India. First synthesized in the 18th century as a Mars color, contemporary Indian Red is very dense purplish red with great
Ivory Black: A good, all-purpose black that's a solid choice for mixing greys, tinting, and mixing with other colors. Slightly warm in its transparency with a weak tinting strength.Pigment: Bone black (PBk
Green Gold: For a modern pigment, Green Gold has a fairly muted, olive green masstone. Its most interesting quality is its warm, glowing transparency. Excellent for glazing. High tinting strength.Pigment: Azomethine Yellow
Rich Gold: Made from real metal powder and an alkyd resin binder, Rich Gold is rose gold. Use it in place of gold leaf, painted over Venetian Red. Excellent for painting frames.
Mixed metal oxide from the early 19th century with an important place on the mineral palette because blues are rarely shifted to the cool, green side, like this one. Very muted in
An important colour for painters who prefer the direct painting techniques of the Impressionists. This mixed colour replaces the toxic arsenic-based original.Pigment: Chlorinated and bromated copper phthalocyanine, titanium dioxide, arylide yellow (PG36,
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