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Gold Ochre: An intense, glowing, more transparent ochre that fills an important place in the Gamblin Color Space.Pigment: Natural hydrated iron oxide, diarylide yellow (PY43, PY83)Vehicle: Alkali refined linseed oilLightfastness I, Series
Terre Verte: Historically used as a bole for gilding and as underpainting for flesh tones in Medieval painting (verdaccio), Terre Verte, or green earth, was made from volcanic celadonite and/or a mineral
Cobalt Teal: An elegant and intense pure hue that replaces Turquoise.Pigment: Oxides of cobalt and aluminum (PB28)Vehicle: Alkali refined linseed oilLightfastness I, Series 4, OPAQUEpdf=Gamblin Artists Oil Cobalt Blue, Cobalt Teal Data
Zinc White: The most transparent white, Zinc is recommended for glazing, scumbling and alla prima painting. Compared with all other whites, Zinc White has less hiding power. Zinc White dries slowly, so
Quinacridone Violet: Robert Gamblin loves violets, which is why he added this strong, clean quin violet. More intense than Ultra Violet, warmer than Manganese Violet.Pigment: Quinacridone Violet (PV 19)Vehicle: Alkali refined linseed
Pale Gold: Made from real metal powder and an alkyd resin binder. Pale Gold is green gold. To use it in place of gold leaf, paint over Olive Green. Excellent for painting
Cadmium Lemon: This is the coolest shade of Cadmium Yellow.Pigment: CP cadmium zinc sulfide (PY35)Vehicle: Alkali refined linseed oilLightfastness I, Series 4, OPAQUEpdf=Gamblin Artists Oil Yellow Cadmiums Data Sheet.pdf Gamblin Artists
Radiant RedPigment: Perylene Red, Titanium dioxide, (PR 149, PW 6)Vehicle: Alkali refined linseed oilLightfastness I, Series 2, OPAQUEpdf=Gamblin Artists Oil Radiants Data Sheet.pdf Gamblin Artists Oil Radiants Data Sheet
Cobalt Green: An undervalued cool green with moderate masstone and very muted tint. No combination of blue and yellow will yield this unusual colour of the American Southwest.Pigment: Oxides of cobalt and
Cadmium Green: A bright, light green mixture of Viridian and Cadmium Yellow. Opaque and useful to make muted colours of the natural world. No health labeling required.Pigment: Concentrated cadmium zinc sulfide, hydrated
Cadmium Chartreuse: This opaque greenish-yellow, close to the line between yellow and green, fills a gap in colour space between Cadmium Lemon and Cadmium Green. Cadmium Chartreuse is among the most intense
Cool White: Perfect for painters working in cool light situations, such as painting under an overcast sky. Based on our Titanium Zinc White formula, it has a perfect balance of blue pigment
When creating their Artistsa Oil Colours, Gamblin were mindful not only of how an artist works, but also of an artistas working environment. Gamblin Artistsa Oils have the best qualities of traditionally made oils paints,
Cobalt Violet Light Hue:Transparency: Opaque Lightfastness: GoodPigment Index: PV16 PW4ShinHan Oil Colours are carefully formulated to provide a rich, creamy consistency and a high degree of luminosity. Each colour within the range is refined according
Colour: Michael Harding Lead Tin Yellow LemonPigment Index: N/AOpaqueLightfastness: ExcellentPrice Series: 5This is a very vivid 'sulphury' shade of yellow that, like its lighter version, is especially useful for portraits.Michael Harding Oil Colours are among the
Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Ivory Black (PBk 9, Series 1), a semi-transparent warm deep
Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Manganese Violet (PV 15, Series 2), a semi-transparent warm, reddish
Daniel Smith Oil Paints are made from a range of vibrant, finely-gound pigments and a high-grade alkali-refined linseed oil. This is a 37ml tube of Terre Verte (PG 18, PBr 7, Series 1). Transparent Terre
Lukas 1862 Watercolour: Cinnabar Red, a transparent, non-staining colour.The Lukas 1862 watercolour range includes 70 colours, 48 of which are single pigment colours. These watercolours can be easily re-wetted if dry, or lifted with water.
Lukas 1862 Watercolour: Burnt Sienna, a semi-opaque, staining colour.The Lukas 1862 watercolour range includes 70 colours, 48 of which are single pigment colours. These watercolours can be easily re-wetted if dry, or lifted with water.
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