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Film Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbos popular course, this
📱 Books
Edited by leading experts in the field, The Film and Religion Reader brings together the key writings in this exciting and dynamic discipline. In over sixty interviews, essays and reviews from numerous
Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema. Bringing together seminal essays from a wide range of sources, this
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Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct
Timothy Asch (1932-1994) was probably the greatest ethnographic filmmaker of the latter twentieth century, and one of the best-known anthropologists of his generation. He worked with Margaret Mead, John Marshall and Napoleon
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In film imagery, urban spaces show up not only as spatial settings of a story, but also as projected ideas and forms that aim to recreate and capture the spirit of cultures,
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First published in 1998. Routledge is an imprint of Taylor Francis, an informa company.
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Most movies include a love story, whether it is the central story or a subplot, and knowing how to write a believable relationship is essential to any writer's skill set. Discover the
Taking the subject chronologically from the 1890s to when the book was initially published in 1989, this book analyses those films specifically concerned with working-class conditions and struggle, and discusses them within
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Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct
Movie Acting, the Film Reader explores one of the most central but often overlooked aspects of cinema: film acting. Combining classic and recent essays, it examines key issues such as: What constitutes
Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts. Clearly divided into an introductory overview and four topic areas, the Reader
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Between the advent of motion pictures in the 1890s and the close of the 'silent' era at the end of the 1920s, many of the longest, most expensive and most watched films
Timothy Asch (1932-1994) was probably the greatest ethnographic filmmaker of the latter 20th century, and one of the best-known anthropologists of his generation. He worked with Margaret Mead, John Marshall and Napoleon
📱 Books
New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. It defines over 500 critical terms and describes how they have been used, building a film semiotics dictionary. The authors
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